Santa Muerte: All That Matters is Not Gold

This is Santa Muerte, otherwise known as the Angel of Death.

There is a criticism that as a remover of barriers I may at times remove too many barriers between the subject and the objective.

My response to this has been that whatever barriers you might see before you are simply illusions to the objective that you wish to achieve.

So for those who are not so good at “delayed gratification” know that their expectations are not unreasonable. It is possible to have everything you desire NOW.  It is only your own creation of those barriers that prevents instant gratification of all that you desire.
It is to some degree (to a large degree) a product of a linear mind. You feel that you need to deal with things one at a time, so you place before you / between you and the objective, barriers to manage the flow of information your brain needs to deal with.

But your heart exists in every possibility as a multidimensional organ. This is why sometimes you hear the suggestion that the heart can handle what the head cannot. The heart can handle everything that is thrown at it, it is the brain that needs to take information and events in little pieces. By knowing this it is possible to allow the focus of the mind to see what it needs to see and not be bothered by the fact that the heart is taking in so much more of the whole. This is becoming whole-hearted.

So how is the mind trained to stop focusing / requiring linear events?

The answer to this lies in the philosopher’s stone. It is a stone that philosophers use. This is important because it is not a stone that is used by someone who builds things, or by someone who manages money, or by someone who wants to turn lead into gold! It is used by someone who wishes to know how to think with their heart.

When you are given a philosopher’s stone, you might be disappointed to learn that it is nothing more than a clear faceted gem. You are encouraged to look through it, and see not the gem or the gem’s facets, but the world around you. What do you see? Probably not very much, but you become aware that there are multiple views of the same thing. It is after all the reflection of the world that a diviner sees when scrying a water vessel (bowl). And then when one removes the crystal it is possible to continue to see every aspect of the world in this manner. In the Wizard of Oz, Dorothy might have been given emerald glasses to view the emerald city. But perhaps by donning those glasses she was in fact able to see the path to defeat the evil witch. The two events are not unrelated, but a critical part of the story often left out of the final telling. [I also hear "Agartha", in that there is a key to how it is revealed here.]

So how does this relate to the process of alchemy? Alchemy is transmutation, which is changing “matter” from one form to another. So what matters to you? And how much can you change what doesn’t matter into what does matter? That is an interesting question and key to the process of changing lead to gold. Is changing lead to gold really what matters to you at this time? What matters more? By analyzing these questions you might find that you have higher priorities.  So the philosopher’s stone (that which you hold now in your heart) tends to transform matter into that which matters. If you pay attention to your timeline you will see that this is true in every case. This can be a difficult thing for the mind to deal with because what matters in the heart and what matters in the mind are not always the same thing. When they become the same, you have unlocked the secret of the philosopher’s stone.

Santa Muerte, from "The Book of Life"

crystal being - by dreamwalker

if we think about what it means to be crystalline
we would look out on the world and see facets
of the things that make up the world around us
those facets are a part of me
and reflect the transparent crystal light
of my inner and outer being
that is all of who I AM

Dream Log: Meeting Adrial on the Atabantian

The dream started in a home or apartment typical of 2013. Two large light-colored couches, light beige carpet, white walls. One of the couches backed to a large window, with cheap white blinds covering the window. Basic coffee table, no wall decorations. I was sitting on the couch with several friends, we were planning what we were going to do that day. Go the market, go for a walk, check out the city.

So we got up to leave and walked through the front door. It opened into a space that was like a city, there were doors to other apartments next to each other, three to an alcove. The architecture was reminiscent of a gothic cathedral but the material was made of a dark black / blue stone. There was beautiful colored stained glass windows and the walls radiated light. It was not dark and oppressive like a cathedral can be, but very radiant. Outside was like a sunny day, but we were on a mothership, the Atabantian. The city of Light.

We walked to our right towards another set of apartments, crossing a small bridge with a stream running under it. The paths were gold colored. There were people around us, going to different places, happily walking along and enjoying each other's company. Large towering buildings and vegetation.

So we arrive at Adrial's apartment, she is standing in the alcove with her back to us. She's sad. She is slender and looks about 22 but seems older, and her face is somewhat round with large slit-eyes, reminiscent of Manga women - but her eyes not as large as the cartoons. She was wearing a form-fitting yellow suit similar to a Star Trek uniform with long-sleeve shirt, pants and shoes. Light brown shoulder-length hair.

She knew we were coming. I ask her, can I comfort you? She thought to me, yes, if you like. So I put my arms around her and gave her a hug. When you comfort me, you comfort her, she thought to me, and I received an image of my wife.

Wingmakers: Corteum

Sarah: "So the WingMakers, or Central Race, created us and presumably hundreds of other species, planted us on earth, and then built a complex defensive system to protect their genetics. Is that the situation?"

Dr. Neruda: "The best way to conceptualize who these beings are, is to consider them as geneticists who were the first born of First Source. The galaxies in which the Central Race resides are approximately eighteen billion years old and their genetics are immeasurably more developed than our own. They are the optimal soul carrier in that they can co-exist in the material world and the non-material dimensions simultaneously. This is because their genetic blueprint has been fully activated."
http://www.wingmakers.com/neruda1.html

I AM Thunderbolt: Training Grounds

By Dreamwalker | dreamwalkerdiaries.blogspot.com 

I found a large globe in a dark room, it was like a snow globe but it was about 8′ high. Big. At the same time I hear Adama’s voice loud and clear. He’s encouraging me to touch it, so I do. The globe turns out to be a force field around that same black dragon statue that I saw the first time I visited Agartha, in my dream.
So then I need to touch the statue, so I do, and it opens a portal.

The portal opens to a training world. It looks a lot like minecraft. I’m at the top of a mountain, looking down into a valley. I walk down the mountain and come to the european town in Agartha I visited before. There’s that castle on the hill again. So I know where I am, more or less, although I still don’t know the name of the town. There’s the bakery (likely the same one Leslee mentions here, or something similar). The front windows open onto a patio so there’s inside and outside seating.

There are also planters with little cone-shaped evergreens in them. The planters are half-barrels. I think that these must be a bit of a pain to water so I decide that I can create a localized rain shower over each barrel. Looks a little strange but it gets the job done.

Then I walk down the road to the river, near the base of the mountain leading to the castle, and sit on the bench there. Fish keep jumping into my lap, just to say hi. I tell them I don’t want to catch them today but they’re cheeky and keep trying to jump into my lap anyways. Cut it out you guys!

So I get up and Adama suggests I cross the river, so I create a small white curved bridge over the river. When I get to the other side I find that the town is gone, and I am now in dragon-form – the terrain is different, like a desert, but the castle is still there. There are these dark-looking rain / thunder clouds. I’m able to create lightning from them in dragon form, I realize that this might be “thunderbird”, he was in fact a dragon. Oh yeah, the name of the dragon is “thunderbolt”. That would make sense!

Then I land on the top of the castle in dragon-form, realizing there that when Ben Fulford talks about “dragon family” it may be that all of humanity was once dragon-form.

There are 7 billion of us here. Are we THE creator-gods for the entire galaxy? Are we all on vacation? You see we created all this and now through a “non-disclosure agreement” (NDA for short!) we are now here on earth, field-testing our latest creation. The universe is now without us, and patiently waiting our return.

And the dragon statue is ME.

Why is there a statue of me as a dragon in Agartha, I wonder? Why is this also used as a teleportation device?

----------------

Notes: Image Source: Legend about the origin of Ljubljana

Adrial of Aurora: 22JAN2013

Please remind newcomers to the dreamflights that when they do not experience what they expect to experience during the dreamflight, it may be due to the fact that this experience will not benefit them at this particular point in time in their lives. There are many other experiences, in fact all experiences, contribute to one's personal development. The dreamflight is another aspect of this but it is only one small part of a whole. So you may not be able to join a lightship "On Demand" although you may try to express your intent for an experience that will most benefit you at this point in time.

Do not be surprised if the thing that you experience has nothing to do with space travel - remember that the experience you have is specifically attuned to your benefit. Whether you have a "good" dream or a "bad" dream is a part of this process of expanding your awareness. You are so bombarded by stimulus during the day, and many of you are so busy, that sometimes it can be a blessing to have this time to simply "switch off" the mind so that the spirit may wander freely. So the mind as a conduit for "memories" may not serve the role of remembering your experience at that time. Rest assured that your intent is all that is required for your spirit to join us in whatever capacity that is needed, and the most benefit to you and others at "this" time. For in the now you are always with us, even if you happen to be fulfilling other duties in the "physical" world.

In due course humanity will have the opportunity to join their Galactic family and develop a greater understanding of being a part of the whole that is "all". We also wish for you to understand that "Adrial" is a part of that whole, less so than being somehow "attached" to the Aurora. If you like, you may think of it as a large machine with many different functioning parts. That machine may have redundancies but this is a critical part of the system features. You / we are all a part of this grand machine.

dreamwalkerdiaries.blogspot.com

Dream Log: 9JAN2013 Meeting Leslee

I was in "other-Victoria," in the house I grew up in. I emailed Leslee Hare, we set up a meeting. I picked her up at the airport and we had lunch at an orchard (I don't recall eating lunch but I do remember checking out the property). It was a large wooden Edwardian/Victorian 2-story house, painted light gray with a darker gray/blue trim. The house was well cared for with new paint. The "back yard" was actually at the left side of the house, a clearing surrounded by apple trees, and a fence. Beyond the fence was more orchard. There was a stone wall which cut through the front portion of the yard, it seemed inconvenient to have it there but was an older feature of the property. That was the end of the dream.